(Written at 3 in the morning on way to Shimla)
There is not enough light. Well, you wouldn't expect much at 3 in the morning anyway. Volvo's engine is powering in silence; all we can hear in the cabin is the squeaky sounds of curtains sliding. A light frost has set on the long, end to end spanning windows of the bus that makes every street light hazy and drunk. Sleepy bodies move to and fro, their heads bobbing in an unusual synchronization, with the long winding turns that the bus is making on this 90 km stretch of highway on the hills. Most of the bus is asleep, no snorers this time thank god, however a light giggle and sound of bangles keeps on constantly mingling with the screeches of the tires. I am guessing honeymoon.
It is monsoon in the Himalayas: High beam of the headlights exposes the tarmac like a lady sitting for a naked portrait. Damp patches of mud and silt are encroaching the sides of the two lane national Highway No. 22., maybe mother nature wants back what once was truly hers.
It's fluorescent outside. The moon is full enough to pull out wolverines out of men, but no howls yet. The valley opens to the right, so does a deep gorgeous curtain of mist. The stagnant milky white cover is pulled over old Victorian houses, a rusty railway station and four dirty orangish street lamps (there might be more but I'll count them on a clearer night); but then it seems that even the mist has slept with the night like the people below the slated roofs. So this cover of mist hangs like a ghost or an apparition, extending its tentacles towards the pine and fir covered mountains. Ah but these mountains...these mountains are too tall for such seductions and fore-plays. Half a mountain gets drowned in the mist while the other half amalgamates with the night sky. Threads of clouds running across the moon can give the DreamWorks logo a run for its money, only if we can figure out how to put a kid up there, dropping a line in water. But then, we did, didn't we?
There is not enough light. Well, you wouldn't expect much at 3 in the morning anyway. Volvo's engine is powering in silence; all we can hear in the cabin is the squeaky sounds of curtains sliding. A light frost has set on the long, end to end spanning windows of the bus that makes every street light hazy and drunk. Sleepy bodies move to and fro, their heads bobbing in an unusual synchronization, with the long winding turns that the bus is making on this 90 km stretch of highway on the hills. Most of the bus is asleep, no snorers this time thank god, however a light giggle and sound of bangles keeps on constantly mingling with the screeches of the tires. I am guessing honeymoon.
It is monsoon in the Himalayas: High beam of the headlights exposes the tarmac like a lady sitting for a naked portrait. Damp patches of mud and silt are encroaching the sides of the two lane national Highway No. 22., maybe mother nature wants back what once was truly hers.
It's fluorescent outside. The moon is full enough to pull out wolverines out of men, but no howls yet. The valley opens to the right, so does a deep gorgeous curtain of mist. The stagnant milky white cover is pulled over old Victorian houses, a rusty railway station and four dirty orangish street lamps (there might be more but I'll count them on a clearer night); but then it seems that even the mist has slept with the night like the people below the slated roofs. So this cover of mist hangs like a ghost or an apparition, extending its tentacles towards the pine and fir covered mountains. Ah but these mountains...these mountains are too tall for such seductions and fore-plays. Half a mountain gets drowned in the mist while the other half amalgamates with the night sky. Threads of clouds running across the moon can give the DreamWorks logo a run for its money, only if we can figure out how to put a kid up there, dropping a line in water. But then, we did, didn't we?